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Toplam kayıt 36, listelenen: 31-36
Women's narratives inhibiting scopophilic and voyeuristic views: woman as the saviour in contemporary Turkish women's films
(Routledge, 2022)
This study discusses the current Turkish women's cinema through the films, Mavi Dalga (2013, Blue Wave) and lse Yarar Bir Sey (2017, Something Useful) by exploring the definitions of women's cinema. This article aims to ...
Migration and alienation: “When and where have I changed?" - an analysis through Turkey-Austrian migration film
(IGI Global, 2018)
This study aims to analyse how immigrants become estranged with each other and their own culture together with migration. The sampling of this study consists of film Nachtreise/Night Traveling, 2002 by Kenan Kiliç. This ...
DIGITAL PERCEPTION MANAGEMENT
(ISTANBUL UNIV PRESS, 2021)
The 21st century has witnessed the emergence of digital society in various parts of the world as a consequence of the increasing use of new communication and information technologies which have brought profound socio-economic ...
Covid Outbreak Based Recovery Project with "Horizontal World Treatment": Coronapolises
(ASOS Eğitim Bilişim Danışmanlık Otomasyon Yayıncılık Reklam Sanayi ve Ticaret LTD ŞTİ, 2021)
2019 yılı sonunda Çin’in Wuhan eyaletinde çıkan ve çok kısa sürede tüm dünyaya yayılarak küresel bir
salgına (pandemi) dönüşen Covid-19 virüsü tüm ülkelerin yaşam biçimlerini, ruhsal yapılarını, algılarını,
yaşama ...
Stuart Hall, Totem-Nesnesiz Kimlikler ve Hayali/ İmgesel Temsiller
(TRT, 2020)
Kültürel mecrada üretilen kimlik, temsil ya da özne başlıkları çoğu zaman bir ön kabul
biçiminde nesnel ve evrensel olarak tahayyül edilir. Öte yandan, temsil eden ile temsil
edilen arasında dolaysız bir ilişki olduğu ...
Aestheticization of fear and violence via public relations
(IGI Global, 2022)
Fear is a human emotion that allows a person to survive. It has a function to ensure the continuity of life. The definition of fear has changed over time. Along with human development, transition to sedentary life, the ...